Some Notes on My Sense of an Interior*

by Mary Cappello

[A Paper presented on the panel: The Great Indoors: Gender, Writing and Re-envisioning Literary Merit, AWP 2011, Washington, DC]

I chose the train over the plane to travel to AWP this year because I like the gentle rocking, the bad hot chocolate and the sense of an interior.

That every (poetic) stanza is a stanza or a room is a truism I take seriously. The first stanza is a green room; the second is an antechamber; then, my favorite, the vestibule, also a part of the inner ear, a sense of balance is vestibular, suddenly a promontory, a curve into a cave and I’m there. It seems I never experience reading without entering a space, even if the writing juts, it alters the space I’m in, and in entering me, asks that I enter an interior. (more…)

Being Female

by Eileen Myles

Editor’s Note

You may have already read Eileen Myles’ essay “Being Female,” and so wonder why VIDA chose to reprint this piece in our first site update since releasing The Count 2010 pie charts. From the moment “Being Female” debuted this past Valentine’s Day in The Awl—one of many responses, in print and online, to VIDA’s count—links to Myles’ essay have shown up in all manner of blogs and social networking sites, and comment streams contain everything from effusive appreciation to scathing misogyny. In other words, this essay hit a nerve, the same nerve exposed by VIDA’s count. (more…)

Freedom’s Just Another Word for Nothing Left to Lose

by Percival Everett

I do not believe that apparent authoritative literary voices of validation would ever make such a grand claim about a novel written by a woman. I say this because I believe there are many novels by women that are about the same sort of world as presented in Freedom. Sadly, the culture usually calls these books domestic or family sagas.

What We Talk About When We’re Talking About “The Count”

by vidacount

“I would hope that all readers, writers, and editors who agree that the disparity is, in fact, unfair, will join the discussion and help us to move toward ways to support and encourage the work of more women writers.”

Full Disclosure: I Was A Teenage Poetry Bride

by Erin Belieu

“I convinced myself that I was exceptional, that anyone could see my good grades were well earned, my talent apparent. I now know this kind of rationalization has another name: in this case a big, self-justifying pile of it. Because the fact is many of my classmates were rightfully disturbed by my special status.”

Due Date vs. Deadline

by Cate Marvin

When I was informed that my baby would arrive on February 27th of 2009, I wrote it down in my calendar…. I was in fact preoccupied with another deadline: my application for the James Merrill House residency, which was due on January 15th. So when I landed in the hospital on January 3rd because my water broke…